Besson and his team, which included renowned cinematographer Thierry Arbogast and production designer Dan Wiel, worked together with the $90 million budget to bring Besson’s vision to life. What makes The Fifth Element so much fun is not only its fast pace and dialogue, but its visuals. However, it was and still is fiercely adored it's exciting, a lot of fun, and revolutionised a genre that can so often be oppressively dire. It’s not hard to see why the film, then the most expensive non-US one ever made, was overly long, full of holes, and in need of, “fierce trimming”, as Roger Ebert noted at the time. 15.French director Luc Besson’s 1997 sci-fi The Fifth Elementwas, and still is, pretty polarising. One could also claim that The Iron Giant was Vin Diesel's early audition for another cosmic character with a limited vocabulary: Groot in James Gunn's Guardians of the Galaxy. Despite audience and critical acclaim, Warner Bros.’ inability to properly market the project led to abysmal box office returns. Of course, you'd be wrong to make that assumption.īrad Bird’s heartfelt and earnest tear-jerker is a genius subversion of ‘50s-era sci-fi, transforming the one-note fear and paranoia of Communist invasion into a multi-layered exploration of what it means to be a hero in a world that refuses to see you as anything else. On its surface, the tale of a young boy who forms an unlikely friendship with a hulking robot from beyond the stars may sound like a warmed-over version of E.T.: The Extra-Terrestrial. The Iron Giant Official Re-Release Trailer - Signature Edition (2015) - Jennifer Aniston Movie HD / Movieclips Trailers YouTubeīefore The Incredibles and Mission: Impossible - Ghost Protocol, there was The Iron Giant. To quote Frank the Pug: “Just ‘cause something’s important, doesn’t mean it’s not very, very small.” 10. Men in Black is a cosmic anomaly - a neuralyzing cocktail of comedy, horror, absurdity, and existentialism wrapped up in a brisk 98-minute runtime. Add in a ruthless interstellar cockroach the size of an SVU parading around Manhattan in the skin of Vincent D’Onofrio, and you’ve got something that is almost impossible to recreate. Their crackling chemistry is what every buddy cop comedy aspires to achieve. Tying it all together is the pitch-perfect marriage of Tommy Lee Jones as no-nonsense veteran, Agent K, and Will Smith as the wisecracking rookie, Agent J. From Ed Solomon’s tight and whip-smart screenplay, to the dynamic cinematography of Don Peterman, to Danny Elfman’s quirky score, to the cheeky world-building. Everything in director Barry Sonnenfeld’s adaptation of Lowell Cunninghuman’s Malibu comic (and yes, this is is a comic book film) works in perfect harmony. The tragedy of Men in Black is that the slew of sequels that followed were never quite able to capture the strange magic of the first movie, which thrusts us into the mysterious - and sometimes Kafka-esque - echelons of a quasi-government agency that monitors and regulates extra-terrestrial life on this little blue marble we call home. Plus, the electrifying odd couple chemistry between Smith and Jeff Goldblum in the movie's latter half helped lay the groundwork for Smith's next alien team-up flick, Men in Black, the following year. Anyone else still scarred from when they watched Doctor Brakun get possessed by one of the aliens at Area 51 as a child? No? Just us? Ok, fair enough. When one of their massive ships razes the White House in one of the most iconic set pieces of any summer blockbuster in history, you know these E.T.s haven't popped by our planet to play around.Įven without their advanced technology, the extra-terrestrials are still formidable. Where Tim Burton aimed for a more light-hearted and darkly satirical tone, Independence Day treated its own alien menace with gut-punching seriousness. It also confirmed Will Smith - fresh off Michael Bay's Bad Boys - as one of the hottest rising young stars in the entertainment industry. Released five months before Mars Attacks!, Independence Day solidified Roland Emmerich as Hollywood's resident master of disaster (a title he continues to live up to with Moonfall) who showed a knack for juggling intersecting narratives set against the backdrop of an apocalyptic event. The destruction of famous landmarks, an ensemble cast of memorable characters, and Bill Pullman's rousing speech make this film so beloved.
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